Vanity is my Vice

Art blog:

queer brown ladybot who runs on friendship and cuddles.

sometimes believes she's a deity.

Senior @ Otis College of Art and Design in Los Angeles | Digital Media: 3D Modeling and User Interface for games | Geeky Polyamorous Pansexual Robot | Tea Enthusiast | Fembot Enthusiast | Amateur comic artist

WARNING: I definitely reblog robot porn. Since I love Transformers. Y'know how it is. ...Maybe not, but oh well~


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You deserve someone who knows how to make things up to you after hurting you. Not someone who is very good with just the word “sorry.”
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[IDW’s The Transformers: More Than Meets The Eye #17]

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oh wow nevermind I prefer how this UI idea is going for the start-screen


should I stick to having the shine bubbles be hearts?


beauty and the beast

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Not one single hurtful thing ever got changed by someone grinning and bearing it.

Hurtful things changed because people have said ‘That hurts me. Stop.’

And every time you try to silence someone and tell them that they shouldn’t be hurt, shouldn’t be offended, shouldn’t choose this battle, that this isn’t important and that other things are more important - you are serving the hurtful rather than the hurt.

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I submit the intro for Hunchback of Notre Dame beats Circle of Life raw.

Especially since the former doesn’t have flocks of pink birds that immediately make me think, “Sure, Disney, you weren’t influenced at all by Osamu Tezuka. Tell us another one.”

This movie was surprisingly hardcore for a Disney retelling of Victor Hugo’s really screwed up story.

It also did a ton of great stuff with God and religion and Catholicism that somehow managed to still be about people and not bring “Why Religion Sucks” into the whole thing, which is aces.

One thing that surprises me is how well the animation has aged. Strangely enough, it looked weird at the time; we weren’t really used to traditional animation blended with computer backgrounds. But now that pretty much everything is computer animated, you can really appreciate how effin’ gorgeous the Cathedral backgrounds are.

Also, God Help the Outcasts is the most honest song featured in a Disney movie. “Honest” meaning it doesn’t feel manufactured specifically to be played in a suburbanite van ferrying kids to McDonalds. It’s raw, open, and genuine.

(Needless to say, there is nothing suburban about Hellfire, ho ho ho. Will we ever again see a Disney villain essentially sing, “Help me Mary, I have an unholy erection?”)

This intro remains one of my favourite scenes in any movie I’ve watched. The power and atmosphere in it is overwhelming.

And let’s not forget how fucking AWESOME the music and score was for this, because there are some seriously underated classics in this film.

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the year is 2014 AD. the human race has existed for over 200,000 years. men still think women pee out of the vagina.

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